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"Anniversary" from:

RUFUS AT THE DOOR & Other Stories

by Jon Hassler

I am home from the drugstore with the Sunday paper and a dozen ballpoint pens, all of them red. I leave the paper in the living room for Donna, and I am halfway up the stairs to my den when I suddenly realize that today is an anniversary. I return to the kitchen and pour two glasses of sherry. On this date ten years ago, my wife and I and eleven hundred others filed into the University of Minnesota football stadium and were given, with a full measure of blessings and addresses, our degrees. We both were twenty-two at the time. The principal speaker was a bishop who said that life was short.

Carrying the two wineglasses, I step out the back door into the sunshine. Robbie, eight, is golfing across the lawn with my putter, digging up grass as he goes along. Donna is on her knees in the garden, loosening the soil around the rosebushes.

"What? Ten years?" says Donna. "I can’t believe it." She smiles and sits back on her heels and takes the glass in her large, dirty garden glove. As we toast a number of things, including my ten years as a high-school teacher, a warm June breeze stirs her red hair and uncovers at the temples a trace of gray. Life is short, said the bishop. "We will go out to dinner," I announce. "After I finish my schoolwork, you and Robbie and I will go someplace for a festive dinner."

"Don’t tell me you’re planning to spend the day in the den," says Donna. "Sunday is no day for correcting papers." "Final grades are due in the office tomorrow morning. My briefcase is full of the scraps of the school year. Odds and ends."

We toast odds and ends; then Donna picks a blossom from the Flaming Peace rosebush and hands it to me. It has a long, thorny stem. Robbie joins us and I give him a sip of sherry, which he spits on the grass.

"Make reservations for three at some fancy place," I tell Donna. "We’re stepping out when my work is done." Upstairs in my den, I set the bottle of sherry on the windowsill and I hang the rose by its thorns in the burlap draperies. It is a small blossom, unfurling from a tomato-colored bud. My window overlooks the garden, and as I crank it open Donna calls up to me, "Promise you won’t be up there for the rest of the day." I have never known Donna to be jealous of another woman, but I have at times a great appetite for solitude, and she is jealous of this room in which I find it. Once while working on my thesis, I spent fourteen days and nights in here emerging only for sandwiches and a bath or two, and she never got over it. She said life was passing me by. And one day last winter, designing a new syllabus, I came in here and worked for twenty-two straight hours, and she broke down and wept. She said her mother had warned her about men who were consumed by their work.

I settle into my deep leather chair and open my briefcase. It is full of quizzes, exams, themes, term papers, and office mail—everything I was too busy to read when it first crossed my desk at school. Some of it goes back several months. I reach in and pull out a paper at random. It is an essay by Becky Burke titled "My Father."Becky writes with a backward slant and she misspells all but the simplest words. She says here that she loves her father. "He has old fashion ideas," she writes, "and he argues with the length of my skirts but he is patient and he has a sense of humor." She tells of how he used to take her every summer to a "rodio." But now her father is not well. He has been in the hospital for six weeks. Becky fears he will die.

I want to write something tender in the margin, but if I am to read everything in my briefcase this afternoon, I must be off to a quick start. With my red pen I write, "Proofread!" across the top of the paper, and I give her a C. By English Department standards a C is too generous for spelling like Becky’s, but I cannot give a girl with a dying father a D.A sudden cold wind springs through the window, billowing the draperies. Clouds cover the sun and the room darkens. Cranking the window shut, I see a flock of geese flying south—the wrong direction for June. Next I read a letter from Dale Wood, president of the teachers’ union. He wants me to serve for a year as union griever. Although I pay my dues, I am not much of a union man. I lost my enthusiasm years ago when the union went to court to defend a junior-high drama coach who undressed on stage. (Academic freedom, claimed the union; but the judge said nonsense and sent the drama coach somewhere for observation.) Yet Dale Wood has been a friend of mine for a long time. When we golf together he tells hilarious stories. In the margin of the letter I print, in red: "Okay, one year only. "My red ink does not glisten as it should. I try the other pens I bought this morning, but none is any fresher. I have been sold a dozen dry pens. In my desk I have blue and black pens, but I will not use them. In my ten years of teaching I have learned to understand the power of red ink. Red is alarming, decisive. Red puts everything else in the background. When I hand back a student’s paper my red ink leaps out at him, and everything he wrote in blue ink has turned insignificant, powerless, faint. Red has the same effect with letters and memos. When I print my response in red it looks, no matter how innocuous the words, like a shout. If I leave my mark in this world, it will be a red mark. Red has force. But today my lettering is pale. It seems to fade before my eyes. The wind grows stronger. Donna calls to me from the bottom of the stairs. She says she is going to take Robbie to his driving lesson and they will return in an hour. For a moment I am puzzled. Robbie is eight; he does not drive. She must mean she is taking him to the driving range. She must be bored.

"It’s awfully windy for driving golf balls," I call to her, but she is gone. I hear the car drive away. Another letter. This one too is from Dale Wood. Is this his idea of a joke? He writes, "You have doubtless received a letter of official thanks from the union office, but let me add my personal note of gratitude for the way you handled your job as griever these past several years. I know it’s never an easy job. . . ." My pen is poised but I can think of nothing to print in the margin. Sometimes Dale tries too hard for a joke. There is nothing harder to respond to than a poor joke. I set this letter aside. Next in my brief case I find an ad from the publishers of my American-literature text. It says that the new edition, soon to appear, will contain nothing earlier than Leaves of Grass. Walden will be replaced by a report from the National Ecology Council, and Huckleberry Finn by an assortment of comic strips. The book is to be called Superlit. I write "Supertrash" across the ad and drop it in the wastebasket. I pour myself another glass of sherry. It is the color of a rosebud, and smooth.

Donna calls up the stairs: "I am not feeling well." Her voice is husky.

"Are you back already?" I ask.

"I believe I’ll lie down." "Fine, Donna. Lie down. Where is Robbie?"

"Rob is over at Angeline’s. I’m sure I’ll be all right if I lie down." "Angeline’s? Who is Angeline?" There is a trace of steam on the window. I wipe it off and look down at the garden. The Flaming Peace petals are drifting to the ground. Well, it has never been a hardy bush. To get it started, Donna nursed it through four summers without blossoms, and to this day it is easily discouraged by a sudden cold snap or a sharp wind.

I resume reading. This is Alvin Turvig’s essay on "Memories." Who is Alvin Turvig? I have never heard of Alvin Turvig. He writes, "My earliest memory is of my family watching, on TV, American troops invading Panama." I read no further. In red I print, "Yours must be the shortest memory in Adams High School," and I move on.Here is a letter from Cletus Hamsun, who sells insurance in St. Paul. Cletus is the only college classmate I still correspond with. In this letter he seems to be straining, like Dale Wood, to make a joke. He says that he is retiring from the insurance business. He says that he and his wife from now on will spend their winters in El Paso. "Why don’t you and Donna join us?" he writes. As I said before, a poor joke leaves me with no reply. I put a red question mark in the margin. I take a sip of sherry and feel hairs or threads on my lip. Holding the glass up to the light, I pick from the rim the strands of a cobweb. There are raindrops on the window. Outside, a robin with an ebony eye stands on an elm twig, glancing nervously about him at the leaves shaken by the rain. The leaves of the tree are yellow. Can my elm be dying?

Another paper, this one by Peter Turvig. Peter Turvig? Who are these Turvigs? He writes, "My Uncle Alvin, who can remember all the way back to the early ‘70s, is home on vacation. Yesterday he taught me how to fix the brakes on my bike. He goes back to work next week. He is on the staff of the U.S. Embassy in the Republic of Antarctica." This is nonsense. This is fiction written by an imposter. In red I write, "Who are you?"Rain streams down the window. Here is another letter from Cletus Hamsun. It was mailed in Texas. It has a black border, and it reads, "Sorry to hear about Donna. All the more reason for you to join us in El Paso."

Daylight is fading. I open a letter from someone named Angeline. The envelope is scented.

Dear Dad,

We are settled at last in a house of our own, with a guestroom ready for you whenever you want to use it. I know how lonely you must be, all by yourself.

Rob has been given a nice raise, but I think he is working too hard. I tell him if he isn’t careful, life will pass him by. He sends his love. My strength drains suddenly away. With great effort I brush the perfumed letter off my lap, and it falls to the floor and lies among a scattering of dusty rose petals as the rain, turning to sleet, hits the window with a ping.

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